Piano chords · Dreamy ballad
You’re The Devil In Disguise: easy piano accompaniment in letter notes
Written by Bill Giant, Bernie Baum & others
- Eb major
- 4/4
- 120 BPM
- I–vi–I–vi loop
- 1963
- Easy
Play the full song with sheet music
The accompaniment with every note named, bar by bar: the bar sheet shows each note as a bar on the staff with its letter inside, so you can accompany You’re The Devil In Disguise without reading music. The left hand plays hop-back bounce (broken chord 8-5-8-8) and the right hand bouncy-ball chords.
You’re The Devil In Disguise accompaniment in letter notes
The Eb – Cm – Eb – Cm loop with hop-back bounce in the left hand and bouncy-ball chords in the right. Notes struck together are joined with a plus; C4 is middle C.
How to read the bar sheet
The player above shows the treble staff (right hand) over the bass staff (left hand). Every note is a bar as long as it sounds, at its place on the staff, with its name inside, and the music scrolls past a line that marks now. The chord names run along the top.
Start with the left hand alone at a slow speed, then the right, then both. When the letters feel easy, try the sheet music.
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Questions about You’re The Devil In Disguise
What are the letter notes for the You’re The Devil In Disguise piano accompaniment?
Bar by bar, both hands: the bar sheet on this page names every note of the accompaniment (C4 is middle C) and plays along. The loop is Eb – Cm – Eb – Cm, so the letters repeat with the chords.
What chords are in You’re The Devil In Disguise?
The loop is Eb – Cm – Eb – Cm (I – vi – I – vi) in Eb major, and the song ends on Ab – Bb – Eb.
What key is You’re The Devil In Disguise in?
Eb major, at about 120 beats a minute in 4/4.
What does the left hand play in You’re The Devil In Disguise?
Hop-back bounce: broken chord 8-5-8-8, an easy pattern. It follows the chords, so the same shape works for every bar.
Is You’re The Devil In Disguise easy to play on piano?
Yes. Both hands play easy patterns over 4 chords. Learn the chords first, then add one hand at a time.
Made from one arrangement of this song: the left and right hands are the patterns these scores repeat most.