Piano chords · Pop heartbeat
You're Gonna Ruin My Bad Reputation: easy piano accompaniment in letter notes
- F major
- 4/4
- 120 BPM
- IV–I–IV–I loop
- 1981
- Medium
Play the full song with sheet music
The accompaniment with every note named, bar by bar: the bar sheet shows each note as a bar on the staff with its letter inside, so you can accompany You're Gonna Ruin My Bad Reputation without reading music. The left hand plays pop heartbeat (root bass · charleston push (1 · 2& · 3)) and the right hand pony-trot chords.
You're Gonna Ruin My Bad Reputation accompaniment in letter notes
The Bb – F – Bb – F loop with pop heartbeat in the left hand and pony-trot chords in the right. Notes struck together are joined with a plus; C4 is middle C.
How to read the bar sheet
The player above shows the treble staff (right hand) over the bass staff (left hand). Every note is a bar as long as it sounds, at its place on the staff, with its name inside, and the music scrolls past a line that marks now. The chord names run along the top.
Start with the left hand alone at a slow speed, then the right, then both. When the letters feel easy, try the sheet music.
Play next
Questions about You're Gonna Ruin My Bad Reputation
What are the letter notes for the You're Gonna Ruin My Bad Reputation piano accompaniment?
Bar by bar, both hands: the bar sheet on this page names every note of the accompaniment (C4 is middle C) and plays along. The loop is Bb – F – Bb – F, so the letters repeat with the chords.
What chords are in You're Gonna Ruin My Bad Reputation?
The loop is Bb – F – Bb – F (IV – I – IV – I) in F major, and the song ends on F – Bb – F.
What key is You're Gonna Ruin My Bad Reputation in?
F major, at about 120 beats a minute in 4/4.
What does the left hand play in You're Gonna Ruin My Bad Reputation?
Pop heartbeat: root bass · charleston push (1 · 2& · 3), an easy pattern. It follows the chords, so the same shape works for every bar.
Is You're Gonna Ruin My Bad Reputation easy to play on piano?
It is a medium one: learn the 4 chords as blocks first, then add the left hand, then the right, slowly.
Made from one arrangement of this song: the left and right hands are the patterns these scores repeat most.