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Three Lovely Lasses In Bannion: piano accompaniment sheet music

By Delia Murphy

Tuning the piano…
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Left hand Waltz rippleRight hand Waltz chordsChords the loop the song repeats most

Play the full song with sheet music

Three Lovely Lasses In Bannion written out as piano music: the V7 – I – V7 – I loop in F major for both hands, with chord names and finger numbers. Press play and follow the cursor. The left hand plays waltz ripple (broken chord 1-5-8 (3/4)) and the right hand waltz chords.

Three Lovely Lasses In Bannion chord chart

The loop once round, bar by bar, in F major. The roman numeral says the chord's place in the key, so the same chart works in any key.

BarChordNumeralNotes
1C7V7C E G Bb
2FIF A C
3C7V7C E G Bb
4FIF A C

What the sheet music shows

The grand staff: the right hand on the treble staff, the left hand on the bass staff, with the chord names above and a finger number on each note (1 is the thumb). It is the accompaniment: waltz ripple (broken chord 1-5-8 (3/4)) in the left hand and waltz chords in the right, over the C7 – F – C7 – F chords.

Press play and a cursor follows the music. Above it, Colours paints each note in its key’s colour and Note names writes its letter on its head.

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Questions about Three Lovely Lasses In Bannion

Does the sheet music for Three Lovely Lasses In Bannion have finger numbers?

Yes: every note of both hands has its finger number, 1 being the thumb. To read the notes alone, turn Fingers off above the music.

What chords are in Three Lovely Lasses In Bannion?

The loop is C7 – F – C7 – F (V7 – I – V7 – I) in F major, and the song ends on Bb – C – F.

What key is Three Lovely Lasses In Bannion in?

F major, at about 110 beats a minute in 3/4.

What does the left hand play in Three Lovely Lasses In Bannion?

Waltz ripple: broken chord 1-5-8 (3/4), an easy pattern. It follows the chords, so the same shape works for every bar.

Is Three Lovely Lasses In Bannion easy to play on piano?

Yes. Both hands play easy patterns over 4 chords. Learn the chords first, then add one hand at a time.

Made from one arrangement of this song: the left and right hands are the patterns these scores repeat most.