Piano chords · Pop heartbeat
On The Other Side Of The Tracks: easy piano accompaniment in letter notes
Written by Cy Coleman
- G major
- 4/4
- 140 BPM
- 1962
- Medium
Play the full song with sheet music
The accompaniment with every note named, bar by bar: the bar sheet shows each note as a bar on the staff with its letter inside, so you can accompany On The Other Side Of The Tracks without reading music. The left hand plays pony-trot pulse (root bass · 1 · 1& · 2 · 2& · 3& · 4) and the right hand eager chords.
On The Other Side Of The Tracks accompaniment in letter notes
The D7 – Dm – G7 – C loop with pony-trot pulse in the left hand and eager chords in the right. Notes struck together are joined with a plus; C4 is middle C.
How to read the bar sheet
The player above shows the treble staff (right hand) over the bass staff (left hand). Every note is a bar as long as it sounds, at its place on the staff, with its name inside, and the music scrolls past a line that marks now. The chord names run along the top.
Start with the left hand alone at a slow speed, then the right, then both. When the letters feel easy, try the sheet music.
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Questions about On The Other Side Of The Tracks
What are the letter notes for the On The Other Side Of The Tracks piano accompaniment?
Bar by bar, both hands: the bar sheet on this page names every note of the accompaniment (C4 is middle C) and plays along. The loop is D7 – Dm – G7 – C, so the letters repeat with the chords.
What chords are in On The Other Side Of The Tracks?
The loop is D7 – Dm – G7 – C (V7 – v – I7 – IV) in G major, and the song ends on C – D – G.
What key is On The Other Side Of The Tracks in?
G major, at about 140 beats a minute in 4/4.
What does the left hand play in On The Other Side Of The Tracks?
Pony-trot pulse: root bass · 1 · 1& · 2 · 2& · 3& · 4, a medium pattern. It follows the chords, so the same shape works for every bar.
Is On The Other Side Of The Tracks easy to play on piano?
It is a medium one: learn the 4 chords as blocks first, then add the left hand, then the right, slowly.
Made from one arrangement of this song: the left and right hands are the patterns these scores repeat most.