Piano chords · Pop heartbeat
Let’s Get Lifted Again: piano accompaniment sheet music
Written by John Stephens & Dave Tozer
- F# minor
- 4/4
- 90 BPM
- i–bVII–i–bVII loop
- 2004
- Easy
Let’s Get Lifted Again written out as piano music: the i – bVII – i – bVII loop in F# minor for both hands, with chord names and finger numbers. Press play and follow the cursor. The left hand plays hopscotch steps (root bass · 1 · 2 · 4), and the right hand sings the tune.
Let’s Get Lifted Again chord chart
The loop once round, bar by bar, in F# minor. The roman numeral says the chord's place in the key, so the same chart works in any key.
| Bar | Chord | Numeral | Notes |
|---|---|---|---|
| 1 | F#m | i | F# A C# |
| 2 | E | VII | E G# B |
| 3 | F#m | i | F# A C# |
| 4 | E | VII | E G# B |
What the sheet music shows
The grand staff: the right hand on the treble staff, the left hand on the bass staff, with the chord names above and a finger number on each note (1 is the thumb). It is the accompaniment: hopscotch steps (root bass · 1 · 2 · 4) in the left hand, with the right hand free for the melody, over the F#m – E – F#m – E chords.
Press play and a cursor follows the music. Above it, Colours paints each note in its key’s colour and Note names writes its letter on its head.
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Questions about Let’s Get Lifted Again
Does the sheet music for Let’s Get Lifted Again have finger numbers?
Yes: every note of both hands has its finger number, 1 being the thumb. To read the notes alone, turn Fingers off above the music.
What chords are in Let’s Get Lifted Again?
The loop is F#m – E – F#m – E (i – bVII – i – bVII) in F# minor, and the song ends on D – E – F#m.
What key is Let’s Get Lifted Again in?
F# minor, at about 90 beats a minute in 4/4.
What does the left hand play in Let’s Get Lifted Again?
Hopscotch steps: root bass · 1 · 2 · 4, an easy pattern. It follows the chords, so the same shape works for every bar.
Is Let’s Get Lifted Again easy to play on piano?
Yes. Both hands play easy patterns over 4 chords. Learn the chords first, then add one hand at a time.
Made from one arrangement of this song: the left and right hands are the patterns these scores repeat most.