Piano chords · Pop heartbeat
I’m Gonna Getcha Good!: piano accompaniment sheet music
Written by Shania Twain & Robert John “Mutt” Lange
- C major
- 4/4
- 124 BPM
- 2002
- Medium
Play the full song with sheet music
I’m Gonna Getcha Good! written out as piano music: the V – vi – I – V loop in C major for both hands, with chord names and finger numbers. Press play and follow the cursor. The left hand plays pop heartbeat (root bass · charleston push (1 · 2& · 3)) and the right hand pumping chords.
I’m Gonna Getcha Good! chord chart
The loop once round, bar by bar, in C major. The roman numeral says the chord's place in the key, so the same chart works in any key.
| Bar | Chord | Numeral | Notes |
|---|---|---|---|
| 1 | G | V | G B D |
| 2 | Am | vi | A C E |
| 3 | C | I | C E G |
| 4 | G | V | G B D |
What the sheet music shows
The grand staff: the right hand on the treble staff, the left hand on the bass staff, with the chord names above and a finger number on each note (1 is the thumb). It is the accompaniment: pop heartbeat (root bass · charleston push (1 · 2& · 3)) in the left hand and pumping chords in the right, over the G – Am – C – G chords.
Press play and a cursor follows the music. Above it, Colours paints each note in its key’s colour and Note names writes its letter on its head.
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Questions about I’m Gonna Getcha Good!
Does the sheet music for I’m Gonna Getcha Good! have finger numbers?
Yes: every note of both hands has its finger number, 1 being the thumb. To read the notes alone, turn Fingers off above the music.
What chords are in I’m Gonna Getcha Good!?
The loop is G – Am – C – G (V – vi – I – V) in C major, and the song ends on F – G – C.
What key is I’m Gonna Getcha Good! in?
C major, at about 124 beats a minute in 4/4.
What does the left hand play in I’m Gonna Getcha Good!?
Pop heartbeat: root bass · charleston push (1 · 2& · 3), an easy pattern. It follows the chords, so the same shape works for every bar.
Is I’m Gonna Getcha Good! easy to play on piano?
It is a medium one: learn the 4 chords as blocks first, then add the left hand, then the right, slowly.
Made from one arrangement of this song: the left and right hands are the patterns these scores repeat most.