Piano chords · Pop heartbeat
I’m Comin’ On Back To You: easy piano accompaniment in letter notes
Written by Al Kasha & Horace Ott
- D major
- 4/4
- 112 BPM
- I–vi–I–vi loop
- 1961
- Medium
Play the full song with sheet music
The accompaniment with every note named, bar by bar: the bar sheet shows each note as a bar on the staff with its letter inside, so you can accompany I’m Comin’ On Back To You without reading music. The left hand plays pop heartbeat (root bass · charleston push (1 · 2& · 3)) and the right hand moonbeam glimmer.
I’m Comin’ On Back To You accompaniment in letter notes
The D – Bm – D – Bm loop with pop heartbeat in the left hand and moonbeam glimmer in the right. Notes struck together are joined with a plus; C4 is middle C.
How to read the bar sheet
The player above shows the treble staff (right hand) over the bass staff (left hand). Every note is a bar as long as it sounds, at its place on the staff, with its name inside, and the music scrolls past a line that marks now. The chord names run along the top.
Start with the left hand alone at a slow speed, then the right, then both. When the letters feel easy, try the sheet music.
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Questions about I’m Comin’ On Back To You
What are the letter notes for the I’m Comin’ On Back To You piano accompaniment?
Bar by bar, both hands: the bar sheet on this page names every note of the accompaniment (C4 is middle C) and plays along. The loop is D – Bm – D – Bm, so the letters repeat with the chords.
What chords are in I’m Comin’ On Back To You?
The loop is D – Bm – D – Bm (I – vi – I – vi) in D major, and the song ends on G – A – D.
What key is I’m Comin’ On Back To You in?
D major, at about 112 beats a minute in 4/4.
What does the left hand play in I’m Comin’ On Back To You?
Pop heartbeat: root bass · charleston push (1 · 2& · 3), an easy pattern. It follows the chords, so the same shape works for every bar.
Is I’m Comin’ On Back To You easy to play on piano?
It is a medium one: learn the 4 chords as blocks first, then add the left hand, then the right, slowly.
Made from one arrangement of this song: the left and right hands are the patterns these scores repeat most.