Piano chords · Slow dance ’50s
Don’t Get Around Much Anymore: easy piano accompaniment in letter notes
By Tony Bennett & Michael Buble
- Bb major
- 12/8
- 160 BPM
- 1942
- Easy
Play the full song with sheet music
The accompaniment with every note named, bar by bar: the bar sheet shows each note as a bar on the staff with its letter inside, so you can accompany Don’t Get Around Much Anymore without reading music. The left hand plays slow-dance heartbeat (root bass · 1 · 2 · 3 · 4 (12/8)) and the right hand slow-dance chords.
Don’t Get Around Much Anymore accompaniment in letter notes
The C – Bb – C – G7 loop with slow-dance heartbeat in the left hand and slow-dance chords in the right. Notes struck together are joined with a plus; C4 is middle C.
How to read the bar sheet
The player above shows the treble staff (right hand) over the bass staff (left hand). Every note is a bar as long as it sounds, at its place on the staff, with its name inside, and the music scrolls past a line that marks now. The chord names run along the top.
Start with the left hand alone at a slow speed, then the right, then both. When the letters feel easy, try the sheet music.
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Questions about Don’t Get Around Much Anymore
What are the letter notes for the Don’t Get Around Much Anymore piano accompaniment?
Bar by bar, both hands: the bar sheet on this page names every note of the accompaniment (C4 is middle C) and plays along. The loop is C – Bb – C – G7, so the letters repeat with the chords.
What chords are in Don’t Get Around Much Anymore?
The loop is C – Bb – C – G7 (II – I – II – VI7) in Bb major, and the song ends on C7 – F7 – Bb.
What key is Don’t Get Around Much Anymore in?
Bb major, at about 160 beats a minute in 12/8.
What does the left hand play in Don’t Get Around Much Anymore?
Slow-dance heartbeat: root bass · 1 · 2 · 3 · 4 (12/8), an easy pattern. It follows the chords, so the same shape works for every bar.
Is Don’t Get Around Much Anymore easy to play on piano?
Yes. Both hands play easy patterns over 4 chords. Learn the chords first, then add one hand at a time.
Made from one arrangement of this song: the left and right hands are the patterns these scores repeat most.