Piano chords · Pop heartbeat
All Hail The Power Of Jesus' Name: easy piano accompaniment in letter notes
By Paul Baloche
- F major
- 4/4
- 112 BPM
- 1998
- Medium
Play the full song with sheet music
The accompaniment with every note named, bar by bar: the bar sheet shows each note as a bar on the staff with its letter inside, so you can accompany All Hail The Power Of Jesus' Name without reading music. The left hand plays fluttering heartbeat (root bass · 1 · 1a · 2 · 2& · 3& · 4) and the right hand run-up chords.
All Hail The Power Of Jesus' Name accompaniment in letter notes
The Bbsus4 – F – Bb – F loop with fluttering heartbeat in the left hand and run-up chords in the right. Notes struck together are joined with a plus; C4 is middle C.
How to read the bar sheet
The player above shows the treble staff (right hand) over the bass staff (left hand). Every note is a bar as long as it sounds, at its place on the staff, with its name inside, and the music scrolls past a line that marks now. The chord names run along the top.
Start with the left hand alone at a slow speed, then the right, then both. When the letters feel easy, try the sheet music.
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Questions about All Hail The Power Of Jesus' Name
What are the letter notes for the All Hail The Power Of Jesus' Name piano accompaniment?
Bar by bar, both hands: the bar sheet on this page names every note of the accompaniment (C4 is middle C) and plays along. The loop is Bbsus4 – F – Bb – F, so the letters repeat with the chords.
What chords are in All Hail The Power Of Jesus' Name?
The loop is Bbsus4 – F – Bb – F (IVsus – I – IV – I) in F major, and the song ends on Eb – Bb – F.
What key is All Hail The Power Of Jesus' Name in?
F major, at about 112 beats a minute in 4/4.
What does the left hand play in All Hail The Power Of Jesus' Name?
Fluttering heartbeat: root bass · 1 · 1a · 2 · 2& · 3& · 4, a medium pattern. It follows the chords, so the same shape works for every bar.
Is All Hail The Power Of Jesus' Name easy to play on piano?
It is a medium one: learn the 4 chords as blocks first, then add the left hand, then the right, slowly.
Made from one arrangement of this song: the left and right hands are the patterns these scores repeat most.